VOUET, Simon

French Baroque Era Painter, 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting


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VOUET, Simon Presentation in the Temple gu oil


Presentation in the Temple gu
Painting ID::  9694
Presentation in the Temple gu
Oil on canvas, 393 x 250 cm Mus??e du Louvre, Paris
Oil_on_canvas,_393_x_250_cm Mus??e_du_Louvre,_Paris
   
   
     

VOUET, Simon Diana  wr oil


Diana wr
Painting ID::  9695
Diana wr
1637 Oil on canvas, 102 x 141 cm Royal Collection, Hampton Court
   
   
     

VOUET, Simon Allegory of Wealth et oil


Allegory of Wealth et
Painting ID::  9696
Allegory of Wealth et
1630-35 Oil on canvas, 170 x 124 cm Mus??e du Louvre, Paris
   
   
     

VOUET, Simon Sleeping Venus  kji oil


Sleeping Venus kji
Painting ID::  9697
Sleeping Venus kji
1630-40 Oil on canvas, 100,5 x 84 cm Museum of Fine Arts, Budapest
   
   
     

VOUET, Simon Ambush  qr oil


Ambush qr
Painting ID::  9698
Ambush qr
c. 1630 Oil on oak, 44,5 x 64,3 cm National Gallery, Prague
   
   
     

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     VOUET, Simon
     French Baroque Era Painter, 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting

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